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creme-de-synthe: Steve McQueen and Ali McGraw in Sam Peckinpah’s 1972 crime picture, The Getaway. The film exhibits the controversial director’s signature brand of stylized violence and obsession with masculine identity. Share this: Share on X (Opens in new window) X Share on Facebook (Opens in new window) Facebook Like Loading...
fatabbot: Steve McQueen photographed by Barry Feinstein on the set of Bullitt, 1968. Share this: Share on X (Opens in new window) X Share on Facebook (Opens in new window) Facebook Like Loading...
mudwerks: Steve McQueen “Bullit” (1968) © Barry Feinstein Share this: Share on X (Opens in new window) X Share on Facebook (Opens in new window) Facebook Like Loading...
persona-nongrata: Bullitt (1968) Share this: Share on X (Opens in new window) X Share on Facebook (Opens in new window) Facebook Like Loading...
reckless-crow: Peter Yates’s Bullitt (1968) Share this: Share on X (Opens in new window) X Share on Facebook (Opens in new window) Facebook Like Loading...